The Singles Jukebox ([syndicated profile] thesinglesjukebox_feed) wrote2026-05-07 10:50 pm

Laufey – Madwoman

Posted by TSJ

Why yes I did seek out a screencap of the video that featured Hudson Williams to maximize SEO…


[Video]
[6.50]
Claire Davidson: “Madwoman” is the obligatory single from the deluxe reissue of Laufey’s album A Matter of Time, and indeed, it does feel like an afterthought, its conceit of a particularly agonizing crush so reminiscent of her previous single “Lover Girl” that it almost seems moot. That’s not to say there isn’t obvious care put into this track: its gradually mounting cello loops and clicking keyboard trills are definitely endearing, such that the instrumental could easily serve as the overture for a whimsical ‘60s romance film. Yet where “Lover Girl” mirrored its frenzied pursuit of a partner with infectious bossa nova rhythms, this song feels too prim and stately to earn its evocations of madness, to say nothing of how the florid instrumentation overshadows Laufey’s subtler charms. It’s all very cute, but it’s telling that “Madwoman” needed a music video that doubles as a Hudson Williams pin-up to truly stick in listeners’ minds.
[6]

Al Varela: Laufey’s best song in a hot minute. A great mix of bossa nova and Broadway-esque musical where Laufey coos in her lower register about a guy who’s probably terrible for, but the chemistry is so magnetic and irresistible that she can’t help but be drawn to him and maybe even a little corrupted herself. This kind of song could easily be handled tactlessly, but the theatrics of the production in itself keeps you just as captivated. You can hear Laufey’s smile on her face as she looks back at this guy and all rational thought goes out the window just so she can chase that feeling and never let go. Plus, the outro has just enough of an odd, sinister twist to make it clear that a bad idea is still a bad idea.
[8]

Ian Mathers: An ever so mildly “challenging” song title! One of the Heated Rivalry boys! A really good figure skater! Some other young people I sense I’m supposed to recognize! One of the actresses from Bottoms on a fake magazine cover! And yet, despite these trappings, the same “tastefully” sung, immaculately groomed, anhedonically retro confection Laufey seems to always make. It’s got Erewhon tie-in charity merch! I find in context I can’t even enjoy the organ much.
[3]

Alfred Soto: Her voice has the right husk for the bossa nova lilt. Whether Laufey should have tried this well-arranged track at all is another question. No lyric or melody stands out.
[5]

Nortey Dowuona: Drummer Maverick MacMillan plays a soft, relaxing groove below each layer placed by Spencer Stewart, which all billow and ripple above, needing not a fellow partner in dance but the keeper of a rhythm, no interplay happens between the double bass or cello, simple click-click-clack patterns all the way through. There is no attempt to overshadow or rush, no edges or rough parts, he keeps to his ProTools track and remains as unobtrusive as possible. He seemingly is nearly invisible, yet remains near the front of the mix by Steve Kaye, a signal to his trustworthiness. Laufey sounds great too.
[8]

Tim de Reuse: I instinctively start tuning out when I hear such a string section these days. Almost nobody working within a stone’s throw of “pop” remembers how to use lush orchestration to any end other than as a signifier of 20th-century classiness (at best) or, more commonly, as auditory packing material to fill out an arrangement that doesn’t have enough ideas.  This treatment, then, immediately got me paying close attention; “Madwoman” recalls both sophisti-pop kitsch and dream-sequence horror in equal measure, rarely settling into a straightforward chord progression for more than a few moments at a time. That stepping melody that the violins execute in the post-chorus, my favorite flourish here, is woozy, tonally fraught, and ends on a note that is definitively not a resolution. The outro, in particular, is gorgeous in its refusal to sound pleasant; instead, that little motif is passed around through a tonal blender that swings right past “jazzy” and settles in “discordant.” Laufey’s tone is similarly unsettling, as she dips frequently into the lower part of her range to scoop up the phrase “like a mad, madwoman.” It’s so laser-precise in evoking this particular brand of woozy discomfort that I would applaud it on purely technical grounds even if it weren’t, you know, pretty catchy. Which it is!
[9]

nnozomi: (Default)
nnozomi ([personal profile] nnozomi) wrote in [community profile] guardian_learning2026-05-08 06:58 am

第五年第一百十七天

部首
艹 part 5
若, as if; 苦, bitter/to suffer; 英, England/English/excellent pinyin )
https://www.mdbg.net/chinese/dictionary?cdqrad=140

词汇
擦, to wipe (pinyin in tags)
https://mandarinbean.com/new-hsk-4-word-list/

Guardian:
若时间内没有完成,您将会化为美丽的烟花, if you do not complete it in the time given, you will become beautiful fireworks
昨天这儿擦的, I wiped it here yesterday

Me:
他们真的好多年吃了苦。
不哭不哭,给你擦一下脸。
The Singles Jukebox ([syndicated profile] thesinglesjukebox_feed) wrote2026-05-07 08:15 pm

Tyla ft. Zara Larsson – She Did It Again

Posted by TSJ

Played with our hearts, got lost in the game, you know the rest…


[Video]
[4.75]
Al Varela: I haven’t been encouraged by the pop star-ificiation of Tyla. The more she flirts with R&B and pop the more anonymous she becomes. This is a pretty apt example, trading the amapiano for a really basic, inflexible pop R&B groove that gives the illusion of an Afrobeats-inspired groove, but doesn’t have the texture or effortlessness that came from Tyla’s brightest moments from her debut. Zara Larsson is also a horrible fit for this song. She’s just as anonymous but sounds significantly worse.
[4]

Claire Davidson: Tyla and Zara Larsson are both talented vocalists in their own right, but their strengths are vastly different: where Tyla shines on muted, low-key songs that lend her subtle charisma a winking charm, Larsson is much more flamboyant, coming into her own on songs that allow her soaring enthusiasm to engulf everything in its path. “She Did It Again” tries to find a middle ground, which ends up doing neither artist any favors, constructing its gentrified Afrobeat groove out of little more than whooshing effects, glitching noises, steel drum-like keys, and some of the grainiest, most lethargic snares I’ve ever heard. Tyla practically sounds winded attempting to muster the energy that could match the song’s extroverted flash, and Larsson, forced to underplay on her verse, is left marooned by rap lyrics that barely even retain a coherent meter. The song, then, becomes an overt failure, a supposedly lateral move for both artists that ends up flattering no one.
[4]

Alfred Soto: In which the amapiano expert vocalizes as if Rihanna remained an example. Just to complete the makeover: the squeak and electrofarts that infected pop a decade ago.
[3]

Kayla Beardslee: This instrumental is misogynistic (it’s bad).
[3]

Charli Jae Brister:  I like it, even if it’s not particularly distinctive. Feel like I’ve heard this song dozens of times before — probably because I’m pushing 40. The precise construction of the melody, the off-beat snare patterns, synths I’d call “burbling”: a solid template for a song! But not one that I’ll actually remember 30 minutes after listening. (Also, I did not know this song had TWO vocalists until I typed this sentence, five days after writing my initial blurb.)
[5]

Nortey Dowuona: Zara is okay. Sammy Soso, Mocha Bands, Ari PenSmith, and Believve, though? You did not do it again. Very disappointed.
[6]

Harlan Talib Ockey: This has a lot of ingredients I enjoy. I love the distorted bass flourishes in the production. The vocal harmonies in the second verse are somehow both airy and delightfully crunchy. The “deep down you want me” and “uh-oh, uh-oh” hooks remind me of Rihanna, which is guaranteed to score points with me. The lyrics are weighing the song down, though. Sometimes they’re painfully literal (“this a dangerous game for you / this is all child’s play to me”), sometimes they’re semantically confusing (“even when you feel like you can” is left adrift before reaching the phrase’s actual subject), sometimes they’re redundant (yes, we know the title sounds like the Britney song). However! I would happily listen to Tyla and Zara Larsson sing pretty much any string of words, so “She Did It Again” still ends up well above average.
[6]

Ian Mathers: On the one hand, I have yet to hear Larsson actually add anything to a song when she guests, but at least here, unlike “Stateside,” she’s not actively dragging anything down. Possibly because she sounds more like Tyla than the latter, so I don’t miss the main performer as much. As it is, this is solid, but she’s still hoping to strike “Water” twice.
[7]

aurumcalendula: Shen Man tending to Jiang Li's injuries (patching up injuries)
AurumCalendula ([personal profile] aurumcalendula) wrote in [community profile] c_ent2026-05-07 08:48 am

Drama Rec: 暴锋雨 | Sharp Downpour (2026)

poster for the cdrama Sharp Downpour


(20 × ~15 minute episodes)

Sharp Downpour is a  police procedural minidrama set around 2010 that follows detectives Lu Yi and Lin Shen as they investigate a number of cases.

Read more... )

content warnings )

It's available on WeTV.
aurumcalendula: Shen Man tending to Jiang Li's injuries (patching up injuries)
AurumCalendula ([personal profile] aurumcalendula) wrote in [community profile] baihe_media2026-05-07 12:40 am

Drama rec: Sharp Downpour

I think Sharp Downpour (暴锋雨) might be relevant to folks' interests.

Read more... )
geraineon: (Default)
geraineon ([personal profile] geraineon) wrote in [community profile] cnovels2026-05-07 11:16 am

Read-in-Progress Wednesday

This is your weekly read-in-progress post~

For spoilers:

<details><summary>insert summary</summary>Your spoilers goes here</details>

<b>Highlight for spoilers!*</b><span style="background-color: #FFFFFF; color: #FFFFFF">Your spoilers goes here.</span>*
The Singles Jukebox ([syndicated profile] thesinglesjukebox_feed) wrote2026-05-06 11:40 pm

Snow Man – Bang!!

Posted by TSJ

Checking in on the theater kids of Japan…

Snow Man - Bang!!
[Video]
[5.00]

Scott Mildenhall: One exclamation mark is normally enough.
[5]

Iain Mew: Kenshi Yonezu’s “Iris Out” was Kohaku-dominatingly huge, so it makes sense for a boyband from Johnny’s successor Starto to have a hit with some of the same stylistic signatures. The harder edges get replaced with some jazzier ones, with the strings in particular working overtime. The key change fits with the frantic style and the whole thing has a zig-zag momentum that keeps it entertaining, even if it is a bit empty as a spectacle. 
[6]

Tim de Reuse: It’s hard to start off this high-energy and make it your mission to escalate from there, and harder still if you’re determined to fill three and a half minutes without taking a breath. Maybe an excellent producer could have pulled off something exhilarating with a sensible enough arrangement, but instead they keep sliding more instruments into the studio until the mix physically can’t take any more clutter. The last-minute key change feels desperate, like it’s the only thing left they hadn’t thrown at the wall.
[4]

Charli Jae Brister: They have found my one weakness: make it sound like a fucking fighting game opening cinematic. That super high-energy funk isn’t hurting, either—love me some tight horn lines. The cumulative effect over minutes is a tad exhausting, but good god it’s worth the strain.
[8]

Jel Bugle: This is my kind of jam! Got that Japanese show-tune jazzy sound, it’s pretty swinging, and the guys have a lot of pep. 
[8]

Nortey Dowuona: Huh, this looks a little interesting, what is this meant to be? I’ll listen to it and — ENOUGH is ENOUGH
[0]

Katherine St. Asaph: I assume this is not supposed to remind me of James Corden.
[3]

Ian Mathers: Don’t worry, folks, I’m sure all this sound and fury is going to start signifying something any minute now.
[6]

nnozomi: (Default)
nnozomi ([personal profile] nnozomi) wrote in [community profile] guardian_learning2026-05-07 07:24 am

第五年第一百十六天

部首
艹 part 4
苏, to revive; 苔, moss; 苗, sprout/Miao ethnic group pinyin )
https://www.mdbg.net/chinese/dictionary?cdqrad=140

语法
4.4 part 1 由 (because of)
https://www.digmandarin.com/hsk-4-grammar

词汇
部, part/department; 部分, part; 部门, department; 北部, north; 东部, east; 南部, south; 西部, west; 全部, all pinyin )
https://mandarinbean.com/new-hsk-4-word-list/

Guardian:
我的苏醒是这个世界给我开的一个玩笑, my awakening was the world playing a joke on me
[no 由 of this kind, I think]
那为什么小部分人不能和大部分人和平相处呢, so why can't the minority get along with the majority in peace?

Me:
这里叫做苔寺庙。
迟到了是由闹钟没响的。
tarlanx: Lan Wangji with Wei Wuxian head on shoulder (Cdrama - The Untamed 1 - lean)
TARLAN (tarlanx) ([personal profile] tarlanx) wrote in [community profile] c_ent2026-05-06 04:55 pm

FIC: The Untamed Drabbles

Written for [community profile] seasonsofdrabbles Spring Round 2026
Author: Tarlan ([personal profile] tarlanx)
Fandom: The Untamed (TV)

Title: Drifting Snow
Pairing/Characters: Lan Wangji/Wei Wuxian
Rating/Category: PG13 SLASH
Word Count: 200
Summary: He knew what he wanted, and what Lan Zhan wanted too.
Content Notes: For dreamkist

---------------

Title: Gratitude
Pairing/Characters: Jiang Yanli, Luo 'Mian Mian' Qingyang
Rating/Category: GEN
Word Count: 100
Summary: Jiang Yanli thanks Mian Mian
Content Notes: For treescape
 
profiterole_reads: (Nü Er Hong - Shi Yi and Hua Yu Tang)
profiterole_reads ([personal profile] profiterole_reads) wrote2026-05-06 05:39 pm

Love Beyond Dreams

The first episode of the GL Thai drama Love Beyond Dreams was awesome! After Lené (some sort of spy?) gets assassinated, Ran goes back into the past to save her life.

I'm so happy Aya is getting a full GL. <3 I loved her in Wedding Plan and Love Sea (both were BL with secondary GL). I don't know Mie yet, but she seems great too.

It's available on iQiyi.
The Singles Jukebox ([syndicated profile] thesinglesjukebox_feed) wrote2026-05-05 08:15 pm

Malcolm Todd – Earrings

Posted by TSJ

In which we confirm our preferred Hobert sibling


[Video]
[5.14]
Alfred Soto: Listening to this month’s playlist in the shower, I swear I thought a new, weak mk.gee track had dropped. I like the conceit — why didn’t Green Gartside or, hell, Boy George write about losing their earrings in a partner’s hair? Its strength and limitation is how it sticks to quasi-demo status as if that’s the idea and not the impossibility of finishing the song.
[6]

Claire Davidson: You could tell me that Malcolm Todd recorded a demo of “Earrings” was recorded over the instrumental of Steve Lacy’s “Bad Habit” and I’d probably believe you: the final product has the exact same wheedling synths, viscous electric guitar, and utterly incompetent mixing that flattens every element of the mix into a compressed whine. The difference here is that, in the original article, Steve Lacy tried something novel with his off-kilter delivery, his consciously off-key singing a deliberate tool for conveying self-deprecation. Malcolm Todd, on the other hand, performs with the sung equivalent of a whisper-yell, his depiction of unreciprocated and ill-communicated love conveyed with all the grace and humility of a pop-punk D-lister, albeit without the intensity. Not only does this affectation sound ridiculous, but it also prevents the track from developing a semblance of shambolic atmosphere, which at least made “Bad Habit” unique enough to send it to the top of the Hot 100. Really, what’s most surprising about a song this derivative is that it was somehow authored by an artist who comes from the same gene pool as Audrey Hobert.
[4]

Julian Axelrod: I don’t know if having a medium-famous sitcom writer dad helped Malcolm Todd and Audrey Hobert break into the music industry, but it definitely seems like Malcolm inherited a TV lifer’s ability to assume anyone’s creative voice. If this was a Steve Lacy or Dominic Fike spec script, he’d be staffed on their next album immediately. But I’d love to hear him pitch me an original concept of his own.
[6]

Nortey Dowuona: Anyone remember that episode of The Middle where Axl was not studying for his PSAT and freaking Frankie out? Well, Malcolm Todd is freaking me out with how much he has studied Steve Lacy — what about his future? Is he hoping Steve will swerve away from this and leave him his white twink audience? He won’t win over many with this uninspiring The Middle-subplot song.
[4]

Al Varela: Nothing wrong with this song or Malcolm Todd as a whole, but it’s nothing I haven’t heard before. It’s from the Frank Ocean playbook of pained yearning combined with the bedroom guitar grooves of Steve Lacy, and not nearly on the same level of either of those two. Malcolm himself just doesn’t enthuse me as a vocalist or stage presence. A limp voice with not a lot of compelling texture and not enough charisma to pull off the cheeky moments like the “extra, extra, read all about it” refrain. But the groove is decent, I wouldn’t skip this if it came on. Disposable, not derogatory.
[6]

Ian Mathers: Feels almost de rigeur these days for anything entering the charts late via Tik Tok (et al) to have basically nothing of interest beyond a pleasantly laid-back groove that you can indeed picture looping. As soon as you try to dig into it much more than that (melodically or lyrically) you’re holding one of those “DEAD DOVE DO NOT EAT” bags. I guess it’s moderately diverting that here Todd says the quiet part out loud (how many modern pop songs can’t go anywhere close to what should be a simple resolution because “you’re scared and you’re not talking”?).
[5]

Charli Jae Brister: No shade to Malcolm Todd, but to break through in the Charli Jae Soulful White Boy Index, you’ll have to beat out some very tough competition. James Blake, Justin Vernon, Patrick Stump — and those are only the most recent. There’s some stuff to latch on to here, but it’s not distinct. It’s a sweet and soulful song. That’s about it. No verve. You’re going on “bubbling under”.
[5]

The Singles Jukebox ([syndicated profile] thesinglesjukebox_feed) wrote2026-05-05 07:40 pm

OneRepublic – Need Your Love

Posted by TSJ

Ah, shoot, we’re all fresh out of it, buddy…


[Video]
[4.11]
Charli Jae Brister: Remember that band that was really big in 2004/5/6/7? You know, the one with that one song, maybe Timbaland was on it? Maybe they were featured on Grey’s Anatomy? They’re back! Isn’t that grand? Their new song is a mid-tempo ballad-style piece — I’m keeping the bit in, because I worked for several consecutive minutes on it. OneRepublic returns…not triumphantly, maybe just averagely? I’m not allergic to bands I had a lukewarm-to-positive reaction to when I was young, but OneRepublic never had a distinct identity in the first place, unlike The Fray’s earnest piano rocking, The Format’s chamber pop ambition, Show Patrol’s post-Coldplay bigness, the list goes on and on. Not to sound too marketing-brained, but what’s the value proposition from some shimmering choruses with booming drums? My iPhone has a locally downloaded playlist of them, and entering into the Top 50 is a task OneRepublic is ill-suited for.
[5]

Al Varela: Mediocre. Once upon a time, OneRepublic could get by off of solid hooks and an earnest ambition that I’ve always admired, even at their worst. This feels like going through the motions though. There’s a really cool guitar part that happens at the start of the second verse that never comes back. Maybe if they went more in that direction this wouldn’t be so skippable.
[5]

Julian Axelrod: Of the many songs titled “Need Your Love” released in the past ten years, OneRepublic’s single is not the most soulful, or the most uplifting, or the most formally daring. But it does sound the most like Imagine Dragons covering Sia’s “Elastic Heart,” and that has to count for something.
[5]

Alfred Soto: Ryan Tedder needs your love because it’s too late to apologize after he’s been counting stars.  Does he sing “I don’t need a drink just to feel his cock”? Does he really sing “Gonna love those lines”? He likes dudes and coke? Well, Tedder just got more interesting than his ersatz arena pop demands on second listen.
[5]

Will Adams: Has Ryan Tedder… always sounded like that? Why is he so froggy? Is it too much pitch correction? Who thought those yelpy up-an-octave vocals in the chorus was a good idea? I’ve got questions, since there’s not much to engage with in this bland anti-materialist love ballad.
[4]

Hannah Jocelyn: The real recession indicator is OneRepublic releasing something genuinely good, which hasn’t happened since the last recession. Wait a minute, this is just “Elastic Heart”!
[6]

Nortey Dowuona:  JAMES ESSIEN GET OUT OF THERE! RUN!!!
[0]

Ian Mathers: Sometimes when I catch myself actually liking a corny Coldplay song or something, I do wonder if I am, as they used to say, losing my edge. So thank you OneRepublic for once again reminding me that I am perfectly capable of recognizing anodyne, prefab pablum when I hear it.
[3]

Claire Davidson: No more OneRepublic. Society has progressed past the need for OneRepublic.
[4]

The Singles Jukebox ([syndicated profile] thesinglesjukebox_feed) wrote2026-05-05 06:09 pm

Luke Combs – Sleepless in a Hotel Room

Posted by TSJ

It’s Dudes Tuesday! Dudesday!


[Video]
[5.12]
Ian Mathers: The art of the music video has really fallen to the point of “official studio video”s that are just the marquee name looking at the lyrics on their phone and semi-emoting, has it? (The vocals themselves are fine, that’s not the point.) Presumably at this point Combs himself can afford to bring his family on the road, which makes the lyrics hit a bit more oddly than even the normal “oh no, touring makes me lonely” ones do. And I wish they’d rewritten the chorus so my brain didn’t keep thinking the title refers to the “you” in the line before it and not Combs himself. In a great song, none of this would matter. In a generic one, it all kind of adds up.
[5]

Claire Davidson: Judging by its verses, “Sleepless in a Hotel Room” seems to be aiming for unsettling atmosphere, with Luke Combs finding himself haunted by the specter of an old love in the liminal spaces of his tour stops. The song’s instrumentation here is appropriately eerie, with whirs of pedal steel floating across each ear, touches that evoke the feeling of sensing a spirit cutting across one dimension into the next. Yet the track abandons this cryptic subtlety right before the tension escalates, bizarrely sliding Combs’s voice into the back of the mix on the chorus, leaving meat-and-potatoes guitar to surge in place of his howling delivery. What’s even stranger is the millennial whooping that follows, turning what could’ve been a genuine foray into gothic territory into a ludicrous, jarringly dated singalong.
[5]

Alfred Soto: No bluster — he’s not singing as if he’s gargled on that wine he mentions, if not the wine glass. The whoa-whoas, hair metal power chords in the chorus, and okay guitar solo after the second chorus, are as close as he gets to horny loneliness. Better than The Other Luke’s “Hungover in a Hotel Room” anyway.
[7]

Al Varela: The bones of this song are really good. The drums are a bit heavy, but the chorus melody is memorable, the guitars and pickups give the song a grander scale that will definitely go off in concerts, and I really like the writing where Luke Combs feels the agony of being away from his family while on tour, even as this tour is meant to be to help them live fulfilling and happy lives. The problem is because he’s specifically trying to make this a big concert singalong, the song feels a bit too stiff and claustrophobic. It’s big, but not really soaring. Not to mention the distracting “woah oh” chants in the second half of the chorus, which show a lack of confidence in his writing. There are better songs on this album that are able to balance Luke’s strengths as a songwriter and a showman.
[7]

Charli Jae Brister: Some keywords: “towering”. That’s it. Another 3 minutes of extruded Country Music Product.
[4]

Julian Axelrod: The most interesting thing about this song is that it’s coming out five years after it was first teased on social media, leading fans to demand a proper release. (I didn’t know there were people out here trading Luke Combs snippets like Playboi Carti leaks.) Notably, Combs released a full video of him performing the song in January, filmed in a much nicer hotel. If you’re gonna drink whiskey and miss your wife, you might as well do it on high thread count sheets.
[6]

Nortey Dowuona: Bobby, Bryan, you did your best. Chip, you didn’t.
[4]

Tim de Reuse: The chorus’s insert-melody-here melody is bad enough. Rhyming “you” with “you” is bad enough. But I nearly spat out my drink when he got to the little pause in the line “Wishing you were kissing… me” like he forgot to work out enough syllables to make it fit. What’s the opposite of a text being overwritten? Underwritten? He didn’t write enough. There’s not enough songwriting in this song.
[3]

nnozomi: (Default)
nnozomi ([personal profile] nnozomi) wrote2026-05-06 07:35 pm
Entry tags:

发帖ing

Too much boring work to do (better than no work at all, but still), so of course I am escaping reality and posting here instead. (Also owe some comments on other people's posts! Soon, I hope!)

I went to the thrice-yearly used book fair* in Kyoto, which is always fun and frustrating in equal measure; it’s the usual used bookstore problem writ large, i.e. I know there is something I want there, but there are so many books arranged in such random order, there’s no real way to come across it other than dumb luck. Still, I found one book for me (oral history in Japanese) and one for my mom (Hamerton’s Paris, architectural essays published in 1892, in amazingly good condition and not at all expensive), as well as some cute postcards from past book fair posters, see below. In the past I’ve also come across things like a set of Chujo Yuriko’s complete works at about 2 dollars a volume (there are a lot of volumes, but still), some art I still have up on my wall, at least one of the books I use as a source for [community profile] senzenwomen, and my favorite piece of ephemera ever, have I mentioned it here before? a school directory for a Kyoto public junior high school from 1955, containing not just students’ names and addresses but also parents’ names, ages, and occupations, like a sociological map of the neighborhood at the time.
*(Of the three yearly used book fairs, the May one is the only one held inside; I usually skip the August one, because even in the shady precincts of the Shimogamo Shrine, Kyoto in August is too damn hot and humid to wander around outside for any length of time, and one doesn’t want to sweat on the books. October at Chionji (or is it Chion-in, I always forget) is much nicer.)

I’ve been watching a bunch of people doing reaction videos to songs/concerts on Bilibili, and found myself thinking, I could do this! Not showing my face, God forbid, just my voice and my terrible Chinese. I have things I want to say! It would be such good speaking practice! (she said innocently). Probably nobody would watch them, but so what? Except, I couldn’t do it, because I don’t have the relevant software/hardware and have never made a video in my life. Is that something you can just, like, download and learn? (Also I’d have to actually sign up to B站, but presumably that can be done…)

Considering some of the more varied uses of the character 美 in Chinese. 美甲, painted/polished/manicured nails; 美瞳, cosmetic contacts; 美声, bel canto (used, I think, as a metonym (?) for Western-opera singing in general, to distinguish it from Chinese opera). Also the phonetic ones: 美乃滋, Taiwan-Chinese for mayonnaise (the mainland uses 蛋黄酱, egg yolk sauce); 美式 is American-style and a 冰美式 is an iced Americano.
Other random Chinese stuff: 大肠发卷, a really delightful word which is literally “large intestine hairband,” ie a scrunchie; and the frequent online use of the English “ing”to mean, appropriately, “currently doing ~~” (I’ve seen “排练ing” and “考虑ing” among others).

Jiang Dunhao song of the post, 好的晚安, because the 转音 (melisma? do you call it melisma in a pop song?) get to me; also a bonus Zhou Shen version of the same song, up an octave of course (or rather JDH is taking it down an octave, Zhou Shen covered it first).

For the last orchestra concert, we had a different tuba player (the one before was a slight, fresh-faced young man who looked as if he might get sucked into his own tuba, a la Alice in Orchestralia); this one was a tall thin guy about thirty, with glasses and a short ponytail (still unusual in mainstream Japan). He looks like someone, I kept thinking, but I couldn’t pin it down until I saw him in his concert suit: Liu Sang!

Rereading the diaries of Nella Last, a mid-20th-c. housewife from Northern England, vibrant as always.
5/13/41: Men are so odd. I often feel I give up trying to understand them at all. Perhaps they feel like that about us!!
6/8/41: Today at Morecambe Bay two carfuls of happy people sat within earshot and I caught scraps of conversation…the rest of the talk seemed to be of ‘whether our Margaret should stand so much of Bill’s nonsense—girls were daft nowadays to bother about things like that.’ I was so curious about Margaret’s particular daftness!
4/23/42: Mrs Waite started off about ‘crawling snakes’ and ‘tricks her mother would have done’ and suddenly I got angry and said ‘If I wanted to leave I’d leave. Nothing would stop me. But if you want to make me grow tired of Hospital Supply, you will start bickering and nagging. What I do when I’m not at Hospital Supply is my own concern and to talk of “liking to be where men are” in that nasty insinuating way you did when I said I would rather work in the men’s Canteen than change over was quite uncalled for. I do like men best—I’m more used to them and anyway I’ve never heard a man say as many stupid childish things to another man as you did to Molly Diss. You are a very peevish cantankerous old thing and I will not be spoken to like that.’ There was dead silence and then Mrs. Waite said mildly ‘I cannot see us doing without a bit of fire for a week or two’ and Mrs. Higham got up and went out. Later she said ‘I went off to have a mild attack of hysterics…’
12/18/45: And there’s a thing people tend to forget. One of the strongest cornerstones in American society as a whole is bitter resentment, either to their own country or another, which compelled them to seek a fuller life overseas.
3/7/47: Shan We [Siamese cat] seemed to lose his head—he took a header [from the window] into the deep snow and disappeared, except for the tip of his brown tail. I leaned forward and heaved and we both fell backward into the hall, bringing a pile of snow. The cross-eyed look of reproach he gave me and the anxious look he gave his tail, as if surprised to find it still on, nearly sent me into hysterics of laughter—helped by the same ‘Why should this happen to me?’ look on my husband’s face as he shovelled snow.
2/3/50: Then the elephant keeper ‘had a go’ [on the eponymous radio program] and in a perfectly serious voice, answering Wilfred’s ‘Why do elephants marching along a street hold on to each other’s tails?’ said ‘It keeps them decent’! not pausing to realise he meant decent in the Northern Irish idiom meaning ‘tidy.’ … I was in the lounge and my eyes fell on a little carved coconut wood elephant. I felt chuckles begin in my throat and a vision of five or six elephants swinging down the Strand, with their ponderous yet ‘mincing’ tread, so smug and confident in their ‘decent’ appearance as trunks gripped tails! My husband put his head round the door and said ‘What are you laughing about?’ and I said ‘Decent elephants’ and he laughed too.
2/27/50: Luckily I didn’t mention going to Ireland, for my husband said quickly ‘Ah, Nell can have a good rest [while he would be away]. I’ll soon be back and she will have to write lots of letters to me…’. I sniffed as I said to Mrs Howson ‘So, if you see a cheap line in chastity girdles, let me know.’ He wondered why we both set off laughing. He said ‘You’ve just got new corsets. What do you want another girdle for?’
6/26/52: I’d have awarded top place for oddity, though, to a gentle old world type of man who could have been a country parson or doctor. In Lyons he had a glass of lemonade with ice cream dropped in, and a double portion of ice cream, with four wafers, and by his look enjoyed his odd lunch.


Photos: Miké-chan in the park; two from the regional jazz festival over Golden Week, one mostly sky and one a performance in a shrine (look close to see the sax and trumpet); iris, maple, and strawberries, the latter from my veranda; two from a recent Gaudí exhibition, because I can’t resist dragons, or mosaic (especially as a tiny model); and four postcards of past used-book-fair posters. Maybe the Heian lady is that girl whose name I can never remember who was so thrilled when her aunt gave her the latest chapters of the Tale of Genji?





Be safe and well.
linky: Saki holding out her yoyo. (Sukeban Deka II: Saki - Yoyo)
Linky ([personal profile] linky) wrote in [community profile] chillwaves2026-05-05 07:34 pm

Sukeban Deka II - Feeling Love, A Saki/Yukino/Okyo Mini Fanmix

Saki, Yukino and Okyo posed together for battle. In the bottom left there is text that says Feeling Love.

My mini fanmix for [community profile] polyamships's 3Weeks4DW prompt of "05 May: Fanmix one of your ships (choose 3-5 songs to represent your ship)".

Tracks, Lyrics + Commentary over at my journal, also available over at [community profile] fanmix_monthly and also at [community profile] polyamships.

Three Tracks )
nnozomi: (Default)
nnozomi ([personal profile] nnozomi) wrote in [community profile] guardian_learning2026-05-06 06:28 am

第五年第一百十五天

部首
艹 part 3
芹, celery; 芽, bud/sprout; 苍, dark blue pinyin )
https://www.mdbg.net/chinese/dictionary?cdqrad=140

词汇
步, step; 散步, to take a walk (pinyin in tags)
https://mandarinbean.com/new-hsk-4-word-list/

Guardian:
这个祝红小姐还真就是可以让神木发芽, Miss Zhu Hong here really can make the Sacred Branch sprout
那下一步我该怎么办, so what should I do next?

Me:
芹菜虽然对身体很好,但是我根本不爱吃。
你已经看得懂汉字,那会进一步学习了。
allekha: Two people with long hair kissing with a heart in the corner (Default)
Allekha ([personal profile] allekha) wrote in [community profile] hikarunogo2026-05-05 12:46 pm
Entry tags:

Fic: Formless, Soundless

I wrote a Hikago fic for 5/5:
Title: Formless, Soundless
Rating: G
Wordcount: 3809
Characters/Relationships: Gen, outsider POV, ensemble
Contains: N/A
Summary: A Reddit user makes a post about the mysterious and unsolved case of the Go player only known as 'Sai' and discusses theories about their identity.

Link to AO3
rionaleonhart: goes wrong: unparalleled actor robert grove looks handsomely at the camera. (unappreciated in my own time)
Riona ([personal profile] rionaleonhart) wrote2026-05-05 10:19 am

Is There Garlic On This Pizza?

A couple more answers to Goes Wrong Show questions I've received on Tumblr!


Anonymous: In the CCGW intermission, we get a glimpse of Robert’s CV—apparently, in Romeo and Juliet he played both Romeo and Juliet at the same time, while Chris was listed as the director (later usurped). Do you have any thoughts or ideas about the story behind that?

Robert playing both Romeo and Juliet in the same production is one of my favourite details from Robert's CV; it's such a Robert thing to do. I love him. He should play every part in every play.

I'm actually working on a fic about the dual-Roberts Romeo and Juliet right now [I received this question while I was writing Adaptability], but the concept there is 'there are literally two Roberts', which seems unlikely to be the canonical way it played out! It might instead have been something like this:

- Chris casts himself as Romeo.
- Robert uses every tool at his disposal - complaining, attempting to ensure none of the society's actresses will be available on the night, arguing that casting two men as the lovers will show the progressiveness of the drama society - to get himself cast as Juliet.
- Perfect; Robert is now Juliet! He's in a lead role! He's satisfied.
- ...
- Is he satisfied?
- Now that he sits down and counts, Romeo does have slightly more lines than Juliet. There's a difference of seventy-five lines! That's almost fourteen percent of Juliet's lines! Surely Robert should be playing Romeo?
- Robert attempts to persuade Chris to switch roles. Chris, incredulous, refuses.
- Robert continues to complain. Chris threatens to take Juliet away from him.
- Fine. Robert will have to take matters into his own hands. If he drugs Chris before the performance, just a little innocuous drugging, he can step into the role of Romeo, where he belongs.
- One small downside: nobody else has rehearsed the role of Juliet, so Robert is going to have to play her as well.
- Actually, that's not a downside at all. This is going to be the greatest performance of Romeo and Juliet ever seen.

There is one detail from Robert's CV that this concept doesn't account for: he lists the venue for his Romeo and Juliet production as 'France?', question mark and all. How does Robert end up putting on this play while uncertain of what country he's in? Unless he accidentally drugs himself slightly in the process of knocking Chris out, and then Chris regains consciousness before the play and, furious, chases Robert onto the Eurostar.


Anonymous: do you think robert would enjoy being a vampire?

Robert Grove would have a great time hamming it up as a vampire. He’d wear a cape. He’d hiss. He’d insist on the Cornley Drama Society putting on more vampire-centric plays, largely because he’s now the obvious choice to play vampiric characters.

There is not a chance Robert is nobly going to abstain from drinking human blood. He would attack strangers if he had to, but he’s a coward who wants to avoid serious physical conflict, so he’d try to persuade people to let him drink their blood voluntarily.

This works out fine at first; Sandra is happy to be a sexy vampiric victim! But then Sandra decides she’d prefer to be a sexy vampire, and Robert immediately agrees to turn her. After all, if they’re going to be putting on more vampire plays, it’ll be good to have someone who can play female vampires as well.

So now there are two vampires in the Cornley Drama Society, and Robert’s main source of blood is no longer an option.

Max and Annie agree to let Sandra feed from them: Max a little nervously, and Annie with surprising enthusiasm. Vanessa, very nervously, lets Robert feed from her; she’d really prefer not to have her blood drunk, but she’s worried about Robert not having enough sustenance and she doesn’t entirely know how to say no. Chris, having repeatedly insisted there’s not a chance that Robert will get any of his blood, eventually gives in because he’s worried about Vanessa and wants to ease the burden on her. (This leads to a very confusing sexual awakening for Chris, naturally.)


Also, hey, while I'm posting things from Tumblr, here's a video I took of the hopeful little meerkat I mentioned in this post! If you turn the sound on, you can hear the meerkat's tiny curious chirps and my charmed laughter.