halfcactus: an icon of a manga shiba inu (Default)
Mobius | 不眠日
Finished this at the end of 2025. Based on 张小猫's first 逆时侦查组 novel, this is an action/thriller cdrama set in a ~*fictional*~ country where the world sometimes falls into a timeloop. Every loop day repeats itself four times, with the fifth loop becoming the "canon" event. Our MC is the only one aware of the loops and he uses his abilities to solve crime.

Thoughts
This was... okay, I guess? It has some neat HK action movie-inspired fighting and parkour scenes, interesting plot points, and a lot of missed opportunities. The show presents itself as a mystery in which the objective is to discover the true identity of a serial killer and prevent them from succeeding in their nefarious plan. The problem is that the show itself isn't structured as a mystery. The script had no idea how to relay information to the audience, create real tension, or set up suspects, and it treated every single morsel of information as a major twist. IMO it should have focused on the thriller aspects and highlighted the homoeroticism cat-and-mouse relationship of the MC and the villain. And also given us more angst a la the webtoon Surviving Romance where the MC had a lot of hidden trauma from dying and watching people die over and over again.

The soundscaping was also really funny. They only had like maybe 3 BGMs and they used the same Intense Music so much, sometimes in mundane situations, and once three times in a 15-minute span. Maybe they were just being true to form by making us reexperience the same level of intensity that the MC was trapped in. XD

PS. I skimmed the first chapters of the novel and it seemed to be a bit different, a more standard mystery/procedural with timey-wimey elements. And potentially more interesting conflict—the MC and the FL get together because of a previous loop, and are already together at the start of the CEO case where they have to pretend to not be dating. The plot aspects still seem largely similar, though.



Uketsu, "Strange Pictures" (tr. Jim Rion)
A.k.a. the green mystery novel that is all over #booktwt and my sign to stop following booktwt hype.

Thoughts
I really liked the whole shtick with the drawings, but after the first chapter (the mystery of the blog), it just fell off for me. It was neither a mystery nor a thriller, just an underbaked plot that did not live up to its gimmicks. The "interlocking" cases felt forced into place, without sufficient plot logic or emotional build-up to make the "reveal" satisfying. The way the story is told was like a cross between a Youtube true crime video and a videogame, like it was never meant to be a novel at all. As someone with information processing issues, I found the pictures, little diagrams, and recaps pretty helpful, but it gets to a point, you now? Must we bold every "important detail" like we're in an Ace Attorney dialogue box?
photo of a page of a book: 'Around half past two, Miura and Toyokawa reached the fourth station rest area and had lunch. Miura ate the Hanayagi Bento from the supermarket. Remember that. It's important.' 'Hanayagi Bento' has been bolded for the reader’s benefit

2/5 because it ended up being a slog for me, especially towards the end where everything was being explained in the dullest way possible. But I think it could have been a decent page-turner if the author was actually interested in the story as something more than a gamified series of events. The way the plot gives so much emotional weight to dubious psychoanalyses of drawings unintentionally shows us society's lack of regard for mental wellness and rehabilitation. I honestly feel like this would have been much better in any other medium. The writing (as far as I can tell from the translation) is so dry and the English is very stilted. Simple is fine, but the dependence on pictures and amount of emphatic handholding make it pretty obvious that the author has 0 confidence in his ability to write and communicate his vision.


Her Story | 好東西 (2024)
Directed by Shao Yihui, who also did B Is For Busy, which is apparently the "prequel" and touches on similar themes (though the POV character in B Is For Busy is a 50-year-old man who teaches painting).

This is a nice, low-key little movie that's not so much about feminism as it is about being a feminist and how your values interact with the real world. And how community is, at the end of the day, about trying your best. Everyone is just trying their best to be a good adult and it's really sweet.

Our characters are: Wang Tiemei, a very feminist single mom, and her neighbor Xiao Ye, a sound artist by day and band vocalist at night. They each bring their people to this new relationship—a precocious but troubled daughter, an ex-husband, a drummer, a situationship, and, well, the rest of Xiao Ye's band.

Thoughts
This was surprisingly restrained and focused—there were a lot of opportunities for big PSA moments that it takes in a more casual-conversational stride to let the different dynamics play out. The movie instead favors character chemistry and relationships, showing us how human connections fill up space and build rhythms into our lives.

Wang Tiemei's "love interests" are less love interests and more mirrors to her own feminist beliefs. Her ex-husband (played by Mark Chao) is a #performative male who gets into reading feminist literature and earnestly parroting lines about the patriarchy. He visits his daughter and his ex-wife often and says a lot of stupid things and gets folded into their growing community and accidentally bonds with his love rival (the drummer of Xiao Ye's band) in the process of competing with him. This is much more effective than writing him as a cartoonishly evil ex which is the standard easy path for the trendy faux-feminist/girlboss stories in East Asian web fiction.

The styling was very on-point, everyone dressing to their personalities so it's part of the characterization. Wang Tiemei's statement shirts and her statement novels (tbh I didn't actually notice them, but [personal profile] superborb did haha), Xiao Ye's charmingly messy rocker chic, the drummer boy's tattered knit sweater (he doesn't have enough aura for this to be feel like a deliberate aesthetic choice) and the same black shirt that he wears on multiple days.

My favorite scene was the one where Xiao Ye takes Wang Moli (the daughter) to her workspace and makes her guess sounds! What starts out as a fun little exercise becomes, like Xiao Ye's other line of work, music, as she plays a series of recordings that are nothing but Wang Tiemei. SUCH a good scene and so much warm light.


CW: a brief (unintentional?) self-harm scene + conversations about childhood trauma
halfcactus: an icon of a manga shiba inu (Default)
Isora Matsuri, "Secrets of the Silent Witch" (vol 1–6)
Ongoing light novel series (with a newly released anime adaptation) about a traumatized and socially anxious witch / genius mathematician who develops a method of spell-casting without ever chanting, making her one of the most powerful magicians ever. Outside she is very intimidating and heroic, and inside she's a stuttering and tearful mess. After single-handedly saving a village from a black dragon, she retreats back into the mountain but is conscripted into guarding the Second Prince. To do this she must infiltrate the academy as an ordinary student while ~*keeping the magic secret~*. As a consequence, she learns to actually care about people and gradually heal and form relationships.

Thoughts
The high school setting and very YA situations aren't really working for me (especially with our MC, Monica, being the strongest and most ingenious witch to ever witch), but the politics are surprisingly interesting! The Second Prince (and ML) Felix is a popular and charismatic figure in the academy, and unnervingly conniving. He has a retinue of very loyal but elitist young men who befriend and are changed by Monica, the only commoner in the vicinity. This positions them as the "good" guys. However, outside the school walls, the Second Prince has many detractors, including Monica's own mentor/colleague. And as Monica protects him from assassins she learns that they actually have some very good reasons for wanting to murder him and prevent his ascension.

There are also some very nice twists with the Second Prince's character, the fun one is him being the #1 Monica Everett fanboy and having genuine interest in her magical research and papers.



Elizabeth Lim, "A Forgery of Fate"
"My father used to say, 'Green is from blue, and is better than blue."

"What does that mean?"

I gave Gaari my cheekiest smile. "It means you learn to surpass your teachers."
Beauty and the Beast retelling set in a fantasy world with Chinese elements. The MC, Tru, has the gift of prophecy that manifests in art. When her father disappears, it falls upon her, the eldest daughter, to support her mother and sisters, so she turns to art forgery. The ML, Elang, is a half dragon who has lost his heart and been banished to live on land. The only way he can go back is by presenting to the Dragon King his Heavenly Match, so naturally this means a contract marriage storyline. There's also something about a curse but to be honest this seemed written to adhere to the Disney!Beauty & the Beast vibes more than anything, I really did not understand what was going on there lol.

Thoughts
I really enjoyed the magic and underwater setting and integration of Chinese culture/lore/tropes/food... not so much the obsession with noodles, because I often think "obsessed with a type of food" is used as a replacement for personality. In this case, the noodle conversations do have narrative relevance, it's just that I was not Feeling the Love. I also wasn't really feeling the themes of regionalism and discrimination, but those parts were pretty secondary anyway.

The first 70% was a 4/5 read for me, then got downgraded to 3/5 because the book lacked the narrative and romantic tension to pull off the last act. I simply didn’t feel anything or understand any of the characters. In fact, the only time I felt any real stakes in the story was at the beginning, when 1) Tru's mom had accrued a large gambling debt that Tru had to pay off urgently and 2) Tru had to guess (by painting) a mahjong tile correctly in a do-or-die moment. Everything after that felt only superficially dangerous. There's all this talk of the Dragon King having ~eyes and ears everywhere~ in their kingdom, and even of there being a spy within Elang's palace, but Elang and Tru continue to have conversations about their fake marriage + secret plan in a normal fashion. There isn't any real fear of being discovered, so the secrecy thing feels like a sham.

I did really like Tru's art powers. They never actually help her or give her a buff—it's really just prophecy with art as its medium. Nonetheless they're what Elang needs to execute his mysterious plan and the reveal for what that exactly was was very satisfying.


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MISC:

Found out from Twitter that Kelly Clarkson's Breakaway was originally written by Avril Lavigne and that an Avril Lavigne version was released a few years ago (for a 20th anniversary album?), There's a neat animated lyric video that features old clips and photos of her:

CW: Flashing / glitch effects

Relatedly, here's her singing Complicated for The First Take:
halfcactus: an icon of a manga shiba inu (shiba inu しばいぬのあたちたち)
1.
In any case, translation toward English is not an act of benevolent charity — Penguin’s imprimatur did not rescue Truyện Kiều from obscurity. Nearly a hundred million people live in Việt Nam and several million Vietnamese people live abroad. Việt Nam is now more populous than the United Kingdom, Turkey, Australia, France, Germany, South Korea — and many, many other countries. A friend recently shared a reminder from her mother: Vietnamese doesn’t need you. We get so embroiled in our diasporic angst, writing heartfelt, tortured essays about not being able to impart cultural knowledge to any children we might have, but we’re lucky for what is not the case for everyone who has lost a language or had it taken from them. Vietnamese is not endangered, and its literature is not honored by translation toward English — it is English-using society that benefits from gaining access to literature produced in other languages. . .
Som-Mai Nguyen, "Blunt-force Ethnic Credibility" (h/t [personal profile] superborb on Bluesky)


2.
In that instant, Kiyose realized something. If happiness, or beauty, or goodness existed in this world, for him, they would take the form of this runner.

Just finished Shion Miura's Run with the Wind (translated by Yui Kajira) and loved it. Although I barely remember anything from the anime, I adored it the first time I watched it and I now appreciate it as an adaptation. :') The big race (Hakone Ekiden) took almost half of the book and I'm amazed at how invested and emotional I was throughout it, even when I was just reading it! I did mostly have to skip Shindo and Haiji's legs because I was too anxious haha.

Also loved the bits where Musa was struggling with colloquial language (as a foreign student) and Shindo was always checking in on him. I actually don't remember Shindo at all in the anime, which makes me feel bad because he is such a GEM.

Some of the side characters (namely the rival athletes and Hana) were more obviously narrative devices than people and it took some time for me to get used to that, and I was very surprised to see the (one-sided) Kakeru/Hana developments.

Really enjoyed the English translation, the (consistent and intentional) choice to leave specific words untranslated and unitalicized, and the writing.

Some excerpts from the translator's notes:
Miura's writing has a warmth and an openness, though it's hard to put a finger on what exactly gives it that feeling. Her all-embracing love for human beings and their everyday lives, in all their messy glory, seems to seep through her words and touch us, too. Her characters come alive on the page, each possessing their own past and future. As readers, we are pulled into that embrace, and, like the spectators of the Hakone Ekiden, we feel absorbed in the Chikusei-so team's endeavor as if we were running alongside them ourselves.

My general stance in translating this novel was to prioritize the momentum of the story, the feel of each character (and their relationships, with all the banter), and the authenticity of the language revolving around running. At the same time, I wanted to retain as many Japanese terms as possible, and in a way that allows curious readers to look things up. After all, it's perfectly natural to come across unfamiliar words or concepts while reading any book, no matter the language it was originally written in. Luckily, it's easier than ever to find out what an engawa or a kamaboko looks like, or what a higurashi sounds like. Of course, there are many English videos and articles about the real-life Hakone Ekiden as well, packed with as much human drama as the story of the Chikusei-so team.



3.
[personal profile] llonkrebboj linked me to their translation of 人是_ by Zhou Shen, which naturally led me to falling in love with the song and being tempted to watch Wandering Earth 2.
halfcactus: an icon of a manga shiba inu (Default)
Spent last weekend trying to make up for lost sleep and bingeing 7th Time Loop: The Villainess Enjoys a Carefree Life Married to Her Worst Enemy! in both anime and light novel form. The title is misleading; rather than a villainness, the main character is a disgraced noblewoman who gets stuck in a time loop beginning with her unjust exile and ending with her inevitable death five years later. The days and manners of her death are never the same due to the different routes she takes, but they're always a consequence of a fixed event: the ML usuruping the throne of the Emperor and starting a large-scale war. In the FL's sixth loop, she is killed by him personally and immediately transported to her seventh loop where she decides to take a new path, runs into the ML and, in a series of strange events, accepts his sudden marriage proposal.

The main tension is in the FL wanting to use her new position to hijack the ML's warmongering efforts, and the ML having unreadable (but no doubt shady) motives even when he's transparently attracted to the FL and more human around her. In every arc, we meet characters whom the FL has previously met in her past loops and uncover a little bit of the bigger political conspiracy that connects them. It's also all very, very YA... six volumes in, this so-called battle couple and their equally powerful allies have yet to kill anyone... The ML has at least canonically killed people in a previous war and in his traumatic past, but in the present day he and everyone else just knock all the bad people unconscious.

I thought the anime was enjoyable in a "light and mindless" shoujo canon way, and the light novel more interesting as you got to see the characters' thought processes. I felt that the FL's OP-ness was more well-executed than the standard transmigration/timeloop manga; even the improbability of the FL acquiring all her skills in five-year increments grew on me when we saw how the time limit ate at her and gave her the fear of her next death and the anxiety of not knowing exactly when or how she'd die. The worldbuilding is meh, the cases formulaic, and the romance increasingly less interesting, but I do like the thread of mystery surrounding the loop and the ML, as well as the emotional storyline of the FL dealing with her survivor's guilt by forcing the "everybody lives" fix-its in the present loop.

Now going through The Apothecary Diaries, which is a denser read now that I'm past the parts I've read in the manga. I'm finding the translator's notes at the end interesting! But I might slow down and take a break because I've been too unproductive... And anyway Arcane S2 is coming out imminently.
halfcactus: an icon of a manga shiba inu (Default)
PLOT: Following the death of her daughter, middle school teacher Ms. Moriguchi talks about the law leaving major crimes unpunished, and gives her students one last message before she resigns. Mayhem ensues.

This was a twisty and unhinged revenge/psychological thriller that really committed to its premise. As the title suggests, the story is a domino effect of consequences structured as confessions from different characters. There's a good mix of social commentary and varying cynical worldviews that reveal the darkness of human nature and failures of society. The fragmented, slightly unchronological and incongruous, information that you get, gives it some reread value. The revenge stops being cathartic because the circumstances it presents are so complex, but it still doesn't hesitate to pull the trigger, and I love that about it.

It also made me think about how italicized text isn't a feature in other languages haha.

I really loved the PoV writing in this!!! So many different grievances, so many different senses of justice. This one is from Mizuko, my favorite PoV just because no one in the book knows what her deal is:
. . . I suppose everybody wants to be recognized for what they’ve done; everybody wants to be praised. But doing something good or remarkable isn’t easy. It’s much easier to condemn people who do the wrong thing than it is to do the right thing yourself. . . it’s easy to join in condemning someone once someone else has gotten the ball rolling. You don’t even have to put yourself out there; all you have to do is say, “Me, too!”

It doesn't end there: You also get the benefit of feeling that you're doing good by picking on someone evil—it can even be a kind of stress release. Once you've done it, though, you may want to find that you want that feeling again—that you need someone else to accuse just to get the rush back.



Content warnings: Child harm, drowning, domestic violence, and bullying (resolved quickly, but it involves two students being forced to kiss); The starting point of this story is a four-year-old child found dead in a swimming pool, and the cast is comprised of one teacher and several of her middle school students.
halfcactus: an icon of a manga shiba inu (Default)
Trying to remember my thoughts about books I read a month ago and have already mostly forgotten ;___;


A Gentleman in MoscowA Gentleman in Moscow by Amor Towles

Quirky and intermittently bleak historical fiction that follows (and critiques) the trajectory of the Russian Revolution. Count Alexander Ilyich Rostov is tried and sentenced to a lifetime of confinement in the Metropol for being a class enemy, but he opts to embrace what life has to offer. Life embraces back.

For most of the novel you follow him through his routine from his little room in the attic to the fancy restaurant, barbershop, etc etc, and he gets to grow emotionally and find family among the hotel staff and some of the guests. Over the course of thirty years, the various effects and undulations of the Revolution trickle into his little life.

I'm generally pretty blind to history so I guess it was useful for me to have this contextualized in fiction (even though I skip-read a lot of the early bits ^^;). Rostov's that type of wish-fulfillment Gary Stu that is mostly inoffensive but I simply don't care about. He's a ~gentleman~, one of the last true ones in Russia, which means all the cool people like him and are impressed by him. There are some found family beats I found touching, but I'm not a fan of fatherhood fantasies where the daughter is precocious and emotionally well-adjusted. Again, I don't think this is one of the worst offenders since the daughter figures are still characters in their own right and it's very sweet that they change his life and his priorities. I just think it shouldn't be this convenient, especially with one of them going through a lot of trauma.



The Miracles of Namiya General StoreKeigo Higashino - Miracles of the Namiya General Store (translated by Sam Bett)

Historical fantasy novel that reflects the state of Japan's economy from 1980 to 2012: a magical mailbox creates a bubble in time that connects past and present with letters. As more letters appear, you see how the characters' lives intersect. The convergence point is very moving!

I was already kind of familiar with the premise, especially since there was a Who's the Murderer episode that came out during the pandemic featuring a Chinese cover of the Mika Nakashima / amazarashi song I Once Thought About Ending It All (I really love both language versions), but never knew how much real estate was involved in the original story... Overall a solid book with twists and emotional knives. Not sure I loved it but it's a well-executed ensemble canon with a lot of humanity.

Both the Japanese and Chinese movies came out in 2017 but I haven't seen either and don't know if I ever will because I don't deal well with heavy themes onscreen... I just want to experience the songs haha.

Content notes: contains themes of death, suicide, aging parents

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Also finally finished the Dungeon Meshi manga (vol8 onwards; fantranslation)! I'm so happy the canon is complete. ♥ I didn't expect to mainline the last volumes, actually! I normally read these in increments, which I think is the most natural pace, but the plot really does pick up towards the second half, which is very meaty and satisfying. It's not the kind of manga I usually read (and in fact I've never been fannish about it), but my tumblr/Twitter moots circa 2015-2017 were very into it. XD And the art, characters, and world-building are so well-designed and the themes so memorable and well-constructed. ;__: Because the storytelling style has a more, idk, tabletop RPG structure, the character expositions are spread out very well and it felt organic for them to tell their stories as they reached a sufficient amount of intimacy with the other characters.

PS. I didn't notice the logotype until the anime (which I'm not watching) OP2 dropped. It's been like that since the manga apparently!!!! It's so good ;____;
dungeon meshi logotype

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